Within graphic design, the concept of systems is profoundly rooted in form. When such word is invoked, it is normally related to macro and micro-typography, involving book design and typesetting, but also addressing type design or parametric typefaces, for example. Branding and signage are two domains which nearly claim exclusivity of the use of ‘systems’ in graphic design.

A series of residencies, titled Design Systems, seeked to challenge that tradition by providing a platform to investigate systems thinking in its relation to design – structure and behaviour – openly working towards a politicised understanding of its practice and theory. This series of residencies, held between May and June, took form as collaborative workshops open to a diverse public, questioning the systems that shape design and how design reinforces and feeds them in return.

Exploring a variety of lenses, from politics to media and journalism, data or economics, these residencies are exhibited in several Metro do Porto stations, with contributions by Luiza Prado and Pedro Oliveira (A Parede), Belle Nuankhanit Phromchanya (ACED), Ruben Pater (Untold Stories) and Demystification Committee. The project will form the basis of the fifth volume of Modes of Criticism.